{"id":1302,"date":"2005-06-26T00:00:00","date_gmt":"2005-06-25T22:00:00","guid":{"rendered":""},"modified":"2005-06-26T00:00:00","modified_gmt":"2005-06-25T22:00:00","slug":"","status":"publish","type":"post","link":"https:\/\/efolk.pl\/?p=1302","title":{"rendered":"Myrdhin & Pol Huellou „Celtic Harp and Shakuhachi”"},"content":{"rendered":"

Te nagrania to spotkanie dw\u00f3ch gigant\u00f3w wsp\u00f3\u0142czesnej francuskiej sceny folkowej. O ile Pol Huellou znany jest w Polsce z kilku wyst\u0119p\u00f3w (m.in z b\u0119bniarzem, Davidem Hopkinsem), to Myrdhin, jest u nas niemal nieznany. To nie dobrze, gdy\u017c jest on legendarnym ju\u017c dzi\u015b, breto\u0144skim harfist\u0105. Je\u015bli dobrze si\u0119 ws\u0142uchacie, mo\u017cecie wyodr\u0119bni\u0107 jego partie m.in na p\u0142ytach Afro-Celt Sound System.
\nTym razem mamy jednak do czynienia z nagraniami nietypowymi, bowiem, jak ju\u017c wida\u0107 w tytule p\u0142yty, Huellou gra na japo\u0144skim bambusowym flecie o nazwie shakuhachi. Ma to wp\u0142yw nie tylko na brzmienie, ale r\u00f3wnie\u017c na repertuar. To, \u017ce celtyckie melodie zagrana na harfie i japo\u0144skim flecie zabrzmi\u0105 inaczej ni\u017c zwykle – tego si\u0119 mog\u0142em spodziewa\u0107. Jednak kiedy us\u0142ysza\u0142em pierwsze d\u017awi\u0119ki „Kuroda Bushi”, czy te\u017c p\u00f3\u017aniej „Ko Mori Uta”, moje zdumienie by\u0142o spore. S\u0105 to bowiem japo\u0144skie melodie ludowe, w kt\u00f3rych swoistym novum jest z kolei harfa Myrdhina.
\nAlbum jest bardzo delikatny. Melodie, kt\u00f3re powsta\u0142y pod palcami obu graj\u0105cych \u0142atwo da\u0142aby si\u0119 zaklasyfikowa\u0107, jako tzw. muzyka relaksacyjna. S\u0142ycha\u0107 tu jednak wybitnie r\u00f3\u017cnic\u0119, spowodowan\u0105 poziomem wykonawczym tych nagra\u0144. Niewielu autor\u00f3w z ogr\u00f3dka relaksacyjnego jest w stanie osi\u0105gn\u0105\u0107 taki poziom.
\n

Taclem<\/b><\/div>\n","protected":false},"excerpt":{"rendered":"

Te nagrania to spotkanie dw\u00f3ch gigant\u00f3w wsp\u00f3\u0142czesnej francuskiej sceny folkowej. O ile Pol Huellou znany jest w Polsce<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1302","post","type-post","status-publish","format-standard","hentry","category-recenzja"],"_links":{"self":[{"href":"https:\/\/efolk.pl\/index.php?rest_route=\/wp\/v2\/posts\/1302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/efolk.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/efolk.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/efolk.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/efolk.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1302"}],"version-history":[{"count":0,"href":"https:\/\/efolk.pl\/index.php?rest_route=\/wp\/v2\/posts\/1302\/revisions"}],"wp:attachment":[{"href":"https:\/\/efolk.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/efolk.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/efolk.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}